MARTIN
CRUSELL.
Bedroom producer building beats, basslines and bad ideas — one MIDI note at a time.
The rig.
The command centre. Twenty-five mini keys, eight backlit pads, plus eight knobs and a fader for sculpting sound in real time. This is where ideas land first.
Eighty-eight weighted hammer-action keys, hooked up over USB-MIDI. Where the proper piano parts get tracked — chords, melodies, the things that need real touch.
Closed-back reference headphones tuned for accurate, fatigue-free listening. What goes in is what comes out — the only honest way to mix in a bedroom.
The brain. Where the MIDI becomes a track, where samples get chopped, where everything from lo-fi beats to film scores gets built one pattern at a time.
A note.
Everything you hear here was made in a bedroom in Helsingborg — by someone who just turned fourteen, learning chords, learning beats, learning what a compressor actually does.